This wasn’t the official poster artwork but it is a much more striking portrait of the principal actor Matthew McConaughey and the amazingly starkly realised character he plays. In fact this is a man who genuinely inhabits the skin of someone else. Indeed it is hard to recognise the actor behind this performance, so changed and chimera like is he. A deserved winner of awards, this film justifies the commitment of financiers and producers alike to difficult drama. At a time when the money is chasing popcorn & kids films (because they make money), it is a brave person who backs a script such as this.
Having said that the film itself isn’t the strongest story line. It is an interesting one and compelling at the start with the clock ticking but that is soon lost as the resolution becomes clearer. In comparison Erin Brockovich managed to hide it’s cards and keep the tension right to the end. That is not to diminish Dallas but rather raise Erin to a higher level, it is simply a superior film among superior films. McConaughey’s performance edges Julia Roberts but it is marginal (because it really isn’t an actor we are watching but a chameleon). And both were served by excellent support work (it is easy to overlook Albert Finney’s fantastic shilly-shally-ing performance as the lawyer) and direction.
This is one of those films that everyone ought to see if only to recognise what it takes to be someone else. McConaughey is quite simply painfully brilliant.
Hair in the gate film score = B ++